Museums developed and funded by European colonization often grapple with the morally blurry lines between public education and neocolonial exploitation. Elephant tusk — otherwise known as ivory — is embedded in these politics of historical display.

Museums developed and funded by European colonization often grapple with the morally blurry lines between public education and neocolonial exploitation. Elephant tusk — otherwise known as ivory — is embedded in these politics of historical display.